Poster
Posters have always fascinated me as a medium of visual communication—bold, immediate, and layered with meaning. Unlike other forms of design that often follow commercial or functional constraints, posters give me the freedom to explore typography, composition, and conceptual storytelling in a way that feels deeply personal. They are a playground where I can experiment with visual language, pushing the boundaries of form and message without the limitations of a client brief.
For me, designing posters is not just about aesthetics; it’s about capturing an idea, a moment, or a feeling in a single frame. Whether it’s inspired by a cultural movement, a social issue, or a purely abstract concept, each poster is an exercise in distillation—refining complex narratives into striking visuals. The challenge lies in making something compelling with limited space and elements, and that constraint fuels my creativity.
Passion projects like these allow me to refine my craft, sharpen my visual instincts, and develop a distinctive voice as a designer. They are also an ongoing dialogue with design history—drawing from past movements while contributing to the present. More than anything, I design posters because they let me create without compromise, purely for the love of the medium.